

News
Virgin Galactic completes their first all civilian flight
Virgin Galactic has successfully completed its first all-civilian flight this morning, carrying three civilians and three crew members to space aboard their spaceplane VSS Unity.
Taking off at 8:30 a.m. Mountain Time (15:30 UTC), the mothership, VMS Eve, with VSS Unity attached, began its journey to its drop point over Spaceport America in New Mexico.
VSS Unity released from VMS Eve (Credit Virgin Galactic)
VMS Eve climbed in a looping racetrack pattern over the Spaceport to an altitude of 44,300 feet before releasing VSS Unity at 9:17 am MT. Unity then dropped for a few seconds before igniting its rocket engine and beginning its climb to the edge of space. The hybrid rocket, fueled by hydroxyl-terminated polybutadiene (HTPB) and nitrous oxide, burned for around 1 minute as it climbed to its apogee of 55 miles (88.5 km) and a top speed of Mach 3.
Shortly after the engine cut off, the crew released their harnesses and began floating around the cabin, taking in the views of Earth and space. The crew was able to float around the cabin of Unity for a few minutes before returning to their seats and beginning the trip back down to Earth to Spaceport America.
The three civilians making their first flights today were:
- Jon Goodwin: The first Olympian to go to space, 2nd person with Parkinson’s, Goodwin, who hails from the United Kingdom, bought his ticket in 2005.
- Keisha Schahaff: Won trip through draw benefitting Space for Humanity and chose her daughter to fly with her, becoming the first Mother and Daughter to go to space together.
- Anastasia Mayers: 2nd youngest person to go to space, along with her Mother, became the first two astronauts from Antigua and Barbuda.
The Crew:
- CJ Sturckow: Commander, former NASA astronaut, flew on the first VSS Unity mission
- Beth Moses: Virgin Galactic Chief Astronaut Instructor, this was her fourth flight to space and
- Kelly Latimer: Pilot, first female commercial space pilot, first flight to space. This mission also marked the most women to fly on a single mission to space.

A view of the Earth from the tail cone of VSS Unity (Credit Virgin Galactic)
While the crew members were floating through the cabin, VSS Unity performed a back flip while the wings transitioned into its feathering position, which helps stabilize the spaceplane at high altitudes as it descends back to Earth. Once Unity is below 53,000 ft, the wings are transitioned to their glide mode, and the pilot brought the spaceplane back for a smooth landing.
For reference, international space starts at the Kármán line, which is 62 miles (100 km) above the mean Sea level, and the United States boundary for space is 50 miles (80 km). It should also be noted that the U.S. no longer gives astronauts wings unless the mission “demonstrated activities during flight that were essential to public safety, or contributed to human space flight safety”.
This rule took effect in 2022.
This was the 3rd mission for VSS Unity in just over three months, with its next flight scheduled for September.
Questions or comments? Shoot me an email at rangle@teslarati.com, or Tweet me @RDAnglePhoto.
Elon Musk
Elon Musk highlights the biggest flaw in X’s monetization program
Elon Musk also stated that YouTube manages creator payments “much better.”

Elon Musk has admitted that X’s creator payout system isn’t living up to expectations, and he has highlighted the current system’s biggest flaw.
Amidst complaints about low and inconsistent payments, the platform’s owner acknowledged that X has been “underpaying and not allocating payment accurately enough.” Musk also stated that YouTube manages creator payments “much better.”
Musk acknowledges payout issues
Recent discussions about the social media platform’s payout issues began when X product head Nikita Bier stated that the company was developing new upgrades for “power users.” This prompted X user Peter Duan to raise ongoing concerns about being “consistently underpaid” compared to his peers. Bier responded candidly, suggesting that “creator payouts do more harm than good and we need to off-ramp to a different system.”
Musk then weighed in on the matter, contradicting Bier’s view. “No,” Musk wrote in his reply, “the issue is that we are underpaying and not allocating payment accurately enough. YouTube does a much better job.” The Tesla CEO’s comment immediately reignited debates about X’s monetization program, which some have criticized for its rather unpredictable nature.
X’s monetization challenges
Since X launched its ad revenue-sharing program in 2023, the system has promised to reward Premium subscribers who generate high engagement with verified accounts, as noted in a WION report. Creators, however, have argued that the company’s payout model has remained inconsistent, with revenue fluctuating even when view counts stay stable. Reports have noted that some users with millions of monthly impressions have received just a few hundred dollars.
By contrast, YouTube’s Partner Program, which takes a 45% cut of ad revenue, is known for more transparent and predictable payments. Musk’s admission that YouTube handles monetization more effectively could then hint at a potential shift towards a new monetization program for X, a platform that has become increasingly critical to social conversations over the years.
News
Tesla exec hints at FSD Mad Max mode’s killer feature
The release notes of Tesla’s v14.1.2 FSD update indicate that Mad Max mode “comes with higher speeds and more frequent lane changes than Hurry.”

Tesla may have just rolled out its boldest Full Self-Driving (FSD) upgrade yet, but the company’s Head of AI, Ashok Elluswamy, hinted at the recently released “Mad Max” mode’s actual killer feature.
As per the Tesla executive, FSD’s Mad Max mode is designed to provide drivers with optimum driving performance during what are commonly the most tedious driving conditions on real-world roads.
Where Mad Max mode truly shines
Tesla drivers and longtime FSD users responded positively to the rollout of Mad Max mode. The performance of the update was so notable that @WholeMarsBlog, a longtime FSD tester, described it as epic. The FSD tester’s comments were posted on X as videos of Mad Max mode’s real-world performance were being shared online.
In response to the Tesla owner and longtime FSD tester, Elluswamy noted that drivers would probably love Mad Max mode even more during daytime hours, when traffic is denser. “You’ll love it more during day time / denser traffic. Really showcases its decision making,” the Tesla executive wrote in his post.
The release notes of Tesla’s v14.1.2 FSD update indicate that Mad Max mode “comes with higher speeds and more frequent lane changes than Hurry.” Videos shared online showed that Mad Max mode, despite its assertive driving style, is still a very cautious and safe driver, similar to past FSD releases.
Made for real-world traffic and long commutes
Traffic congestion typically peaks during daytime hours, when drivers could at times spend hours navigating crowded intersections and fast-changing lanes. For many Tesla owners, having an FSD mode that can confidently manage that chaos could be a game-changer.
Simply put, the feature’s extra assertiveness could allow Mad Max mode to excel in the kind of traffic that tests even the most patient drivers. By improving decision-making in those conditions, the company may be positioning FSD as a true solution for the everyday stress of stop-and-go commutes, packed freeways, and unpredictable city driving.
The “Mad Max” name itself isn’t new. Elon Musk first teased it back in 2018 as a playful nod to aggressive freeway driving. Its reappearance in Tesla’s modern FSD system, however, hints at the notable maturation of Tesla’s autonomous driving efforts over the years.
Investor's Corner
Tesla’s comfort level taking risks makes the stock a ‘must own,’ firm says

Tesla (NASDAQ: TSLA) had coverage initiated on it by a new firm this week, and analysts said that the company’s comfort level with taking risks makes it a “must own” for investors.
Melius Research and analyst Rob Wertheimer initiated coverage of the stock this week with a $520 price target and a “Buy” rating. The price target is about 20 percent higher than the current trading price as shares closed at $435 on Wednesday, up 1.38 percent on the day.
Wertheimer said in the note to investors that introduced their opinion on Tesla shares that the company has a lot going for it, including a prowess in AI, domination in its automotive division, and an incredible expertise in manufacturing and supply chain.
He wrote:
“We see Tesla shares as a must-own. The disruptive force of AI will wreck multitrillion-dollar industries, starting with auto. Under Musk’s leadership, the company is comfortable taking risks. It has manufacturing scale and supply chain expertise that robotics startups possess more by proxy. It can rapidly improve and scale autonomy in driving, the first major manifestation of AI in the physical world.”
However, there were some drawbacks to the stock, according to Wertheimer, including its valuation, which he believes is “challenging” given its fundamentals. He said the $1 trillion market cap that the company represented was “guesswork,” and not necessarily something that could be outlined on paper.
This has been discussed by other analysts in the past, too. Yale School of Management Senior Associate Dean Jeff Sonnenfeld recently called Tesla the “biggest meme stock we’ve ever seen,” by stating:
“This is the biggest meme stock we’ve ever seen. Even at its peak, Amazon was nowhere near this level. The PE on this, well above 200, is just crazy. When you’ve got stocks like Nvidia, the price-earnings ratio is around 25 or 30, and Apple is maybe 35 or 36, Microsoft around the same. I mean, this is way out of line to be at a 220 PE. It’s crazy, and they’ve, I think, put a little too much emphasis on the magic wand of Musk.”
Additionally, J.P. Morgan’s Ryan Brinkman said:
“Tesla shares continue to strike us as having become completely divorced from the fundamentals.”
Some analysts covering Tesla have said they believe the stock is traded on narrative and not necessarily fundamentals.
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