The mainstream media’s trashing of Elon Musk is not journalism at all. In fact, I think it’s highly disturbing that news websites are so obsessed with Elon Musk. They’ve gone from using his name to make money off of clicks to making up stuff about him or twisting his words for clicks.
Remember that Wall Street Journal article from this weekend? The one that accused Elon Musk of having an affair with Sergey Brin’s wife and claimed that Elon and Sergey were no longer friends. This is one example.
The WSJ’s decision to stand by its already refuted article shows that journalistic ethics have been sold for clicks. It’s a sad day for journalism.
Moreover, I talked to Sergey yesterday and he says neither he nor anyone he knows has talked to WSJ
— Elon Musk (@elonmusk) July 27, 2022
Not only did Elon Musk publicly deny the story, but so did Nichole Shanahan’s lawyer. In a statement to The Daily Mail, the attorney said that not only was the WSJ’s report false, but it was also defamatory.
“Make no mistake, any suggestion that Nicole had an affair with Elon Musk is not only an outright lie but also defamatory.”
Additionally, Elon Musk shared a photo of himself and the Google co-founder with the New York Post and said, that he’d spoken with both parties who were adamant that they were not the source behind the WSJ’s claims.
Why is the mainstream media’s trashing of Elon Musk intensifying?
Why does the mainstream media hate Elon Musk so much? This is a question I asked on Twitter. It was rhetorical because many in the Tesla community, including myself, suspect a few reasons.
Tesla’s refusal to buy advertising, Elon’s continuous standing up for himself against trolls, and of course, the clicks.
One thing I’ve noticed is that this hatred of Elon is intensifying. And the WSJ’s refusal to retract its allegations reflects its dismissal of journalistic ethics. According to a spokesperson from the outlet, “We are confident in our sourcing, and we stand by our reporting.”
That WSJ article doesn’t line up with the SPJ Code of Ethics.
The Society of Professional Journalists has its own Code of Ethics and in my opinion, that hit piece on Elon Musk definitely does not line up with that code.
These sources were not identified clearly and yet the WSJ is banking its reputation on these sources despite not even interviewing any of the parties involved. Another note from the SPJ Code of Ethics is to consider the motives of the sources before promising anonymity.
In fact, journalists should reserve anonymity for sources who may face danger, retribution, or other harm. And they need to have information that can’t be obtained elsewhere.
If the story were true, where’s the evidence?
If the story of Elon Musk kneeling in front of Sergey Brin at a party were true, why are there no videos or photos? Surely it would be easy to pull out your phone, snap a pic and post it to Twitter. Everyone wants photos of Elon Musk.
If we can see Elon vacationing with his friends in Greece, then surely the WSJ would want to see evidence of Elon doing what they said he did. How come we don’t have any evidence?
Ethics traded for the trashing of Elon Musk
The SPJ Code of Ethics also says that journalists should balance the public’s need for information against potential harm or discomfort. “Pursuit of the news is not a license for arrogance or undue intrusiveness.”
The code also calls for journalists to show compassion for those who may be affected by the news coverage. Where is the compassion for Elon Musk, Sergey Brin, and Nichole Shanahan?
You can access the full code of ethics here.
If you have a tip, feel free to send them to johnna@teslarati.com
Elon Musk
OpenAI cites distrust of SpaceX in decision to drop Cursor partnership
OpenAI will cut SpaceX-owned Cursor’s model access in November, citing Musk’s history of broken contracts.
OpenAI, the company behind ChatGPT, announced late Friday that it is ending its partnership with Cursor, cutting off the coding tool’s access to its models on November 12. The move comes two weeks after SpaceX completed its $60 billion acquisition of Cursor’s parent company, Anysphere, folding the popular AI coding assistant into Elon Musk’s growing SpaceXAI division.
In a post on its website, OpenAI said the decision came down to trust, not technology. “We cannot be confident that SpaceX will use our technology within our terms of service, based on our experience with Elon Musk’s companies violating contracts,” the company wrote. OpenAI pointed to two specific incidents: X, now part of SpaceX, allegedly breaking the terms of an existing OpenAI contract after Musk bought Twitter.
That lawsuit is the backdrop for all of this. Musk cofounded OpenAI in 2015, left the board in 2018, and sued Sam Altman and Greg Brockman in 2024, arguing they abandoned the company’s nonprofit mission for profit. A federal jury sided with OpenAI in May, finding Musk waited too long to sue rather than ruling on the merits of his claims. Musk said at the time he would appeal to the Ninth Circuit, calling the outcome a “calendar technicality” rather than a real judgment.
SpaceX’s interest in Cursor predates that verdict by weeks. The company first struck a deal with Cursor in April, securing an option to acquire it for $60 billion or pay $10 billion for joint development work instead. As Teslarati reported at the time, the logic was straightforward: Cursor was paying retail prices to Anthropic and OpenAI, two of its most direct competitors, every time a developer used its product, while SpaceX had idle capacity on its Colossus supercomputer, roughly the equivalent of a million Nvidia H100 GPUs, that Cursor could use to train its own models instead. SpaceX exercised the option in June, days after its own IPO, and the deal closed in mid-August.
Once it closed, Musk moved fast. On an all-hands call with more than 1,000 Cursor employees, he reportedly told staff that SpaceXAI’s Grok was playing catchup in the AI race, unlike Tesla and SpaceX in their own markets, and singled out Anthropic as the company to catch. Cursor CEO Michael Truell now reports directly to Musk inside SpaceXAI.
Losing OpenAI’s models leaves Cursor leaning harder on Anthropic’s Claude, which has its own compute agreement with SpaceX, and on Cursor’s in-house Composer model, the one SpaceX’s compute was supposed to accelerate in the first place. OpenAI framed the November deadline as maximum notice under its contract, and said it wants to “go above and beyond” to help developers through the transition. Whether Anthropic makes the same call is now the open question in AI coding.
The in-car Tesla Theater is among the most unique features available within the cars. When charging, parked, camping, or just hanging out, vehicle occupants can access a variety of streaming platforms on the large center screen, helping keep them entertained during downtime.
However, the Theater might be getting plenty more streaming platforms, something that owners have requested for some time.
Tesla owners recently discovered that visiting Apple TV in the vehicle browser can launch a fullscreen interface that looks and behaves like a dedicated application rather than an ordinary webpage:
Today I learned that if you go to Apple TV in the Tesla browser, it will open up an actual Apple TV app, fully functional. Not just the site.
Apparently there are more apps than just the few that show on the apps page. pic.twitter.com/os1Ypfm4JR
— Jason W (@jmwilt21) August 20, 2026
The experience drops the usual address bar and browser chrome, presenting catalogs, continue watching rows, and playback controls in the same window Tesla Theater already uses for its listed services. Independent testers soon found similar treatment for HBO Max, Paramount+, Peacock, Disney+, and Prime Video when those sites are opened from the car browser.
This shift is a plausible early signal that Tesla is widening Theater support without a formal software note. Theater has long been a set of web views rather than native applications, so recognizing extra domains and stripping the browser frame is a small server-side change that can expand the catalog quickly.
Owners still lack permanent Theater icons for the newly recognized services, and video remains limited to Park, yet the smoother launch is a meaningful step toward a broader lounge while charging.
Tesla Theater arrived with software version 10 in September 2019. The first video services were Netflix, YouTube, and Hulu, available only while parked and originally tied to WiFi. Spotify arrived in the same era as music rather than Theater video. Disney+ joined officially in July 2021 with the 2021.24 update, giving owners another major catalog on the center screen. Twitch and TikTok later appeared among the default Theater tiles, and Tesla Tutorials remained a persistent educational tile.
Not every addition stayed put. In December 2023, a Holiday software build removed the Disney+ tile for many United States owners after a public dispute involving advertising on X. Hulu stayed visible even though Disney owned it. Visiting disneyplus.com in the browser often restored the tile, which suggested the removal was a recognition list change rather than a complete block. Owners have also reported occasional blank Theater grids after updates, usually fixed by language toggles, resets, or later firmware.
Tesla axes Disney+ from vehicles with Musk-Iger rivalry, but there’s a workaround
Code archives from 2024 listed many unused source names, including Apple TV and Prime Video, that never became official icons, which now looks like groundwork for the current fullscreen browser behavior.
Now that this hint toward an expanded Theater experience has been recognized, Tesla could follow through with these additional shortcuts as a sign that more streaming platforms are available in Teslas than ever before.
Tesla recently received its largest order for the all-electric Semi from Einride, a Swedish transport service, for 500 units, a groundbreaking invoice to receive before the first deliveries begin.
Even more remarkable, Einride CEO Roozbeh Charli said in a recent interview that he expects his company to take delivery of all 500 — the entire order — before the end of 2027. He even expects to have 75 Tesla Semi units in the Einride fleet before the end of this year.
🚨 Einride CEO Roozbeh Charli on the Tesla Semi partnership:
“If we start with the Amazon announcement that we did earlier this year, that was on the back of having gone through a proving period together with them and proving out our technology. Then we took that next step in… pic.twitter.com/oazkXjwoig
— TESLARATI (@Teslarati) August 28, 2026
Charli said the Tesla partnership was part of a broader push, along with its earlier partnership with Amazon. Einride is assisting Amazon with the use of its Saga AI platform, which helps eliminate questions about budgeting and forecasting for logistics companies.
The Semi, as well as Tesla’s production and subsequent delivery of the units to Einride, will help the company “to have a good supply of vehicles that we can deploy on the [Saga AI] platform,” Charli said. “Tesla is also a relationship we’ve had for a while, and as the Tesla Semi deliveries are firming up, we decided to do a larger commitment to that and deploy that on our platform.”
In its initial announcement, Einride said it anticipated taking delivery of the trucks over the next two years, but now it appears the company is expecting all 500 units within the next 16 months.
Built at a dedicated factory in Sparks, Nevada, the Tesla Semi has been perhaps the biggest and most intensive testing process the company has ever had for a single vehicle model. For the past several years, Tesla has been working with many companies, most notably Frito-Lay and PepsiCo, to gain knowledge on the performance on regional routes.
Tesla plans to launch the Semi officially on September 24, five months after production started ramping.
Additionally, drivers have said they are happy about the Semi’s performance and that its numerous safety and productivity features have made their jobs and routes much easier.
OpenAI cites distrust of SpaceX in decision to drop Cursor partnership
Tesla Theater might be getting plenty more streaming platforms
