Lifestyle
Going inside NASA’s Clean Room for a rare look at a SpaceX payload
NASA invited media to a very special opportunity to go inside their Clean Room at the Kennedy Space Center in Florida. This is where satellites are meticulously prepared in the weeks leading up to their scheduled launch date. Of course, I was there, I wouldn’t miss this for the world!
The Press Accreditation Office is an unassuming building that’s located off the beaten path and a few miles outside KSC gates. It’s a convenient location for a large gathering of people that need to avoid traffic congestion. The building itself looks like an abandoned gas station without pumps, mostly vacant inside, except for a couple of tables and bathrooms. There’s really nothing inside – not even a coffee maker (I’m shocked by this). It serves its purpose perfectly though – get media personnel checked in and loaded onto a bus, quickly.
I was anxious to go inside NASA’s Clean Room and catch a glimpse of SpaceX’s upcoming payload.
The payload and our Solar System’s latest remote camera is called ‘TESS’ – The Transiting Exoplanet Survey Satellite. Technically speaking, it is a NASA Astrophysics Explorer mission designed to perform an all-sky survey to detect transiting planets around the closest brightest stars by monitoring their brightness with high precision. Simply put, it’s a satellite containing four insanely great cameras that will photograph the sky and detect planets around nearby stars!
After passing through the usual K-9 unit sniff test, I boarded a NASA bus and was taken through parts of the Kennedy Space Center that you don’t ever see while on the standard tour. We were traveling through heavily wooded back-of-the-property roads and for good reason. We were going to NASA’s Payload Hazardous Servicing Facility.
We were first escorted into the conference room, which is separated from the building containing the Clean Room. A bunch of swag-bags for press were being handed out, one for each of us, as we walked inside. The room was furnished with a large board-table with a huge flat-screen TV attached to the wall at the head of the table. Hanging on the walls were stunning high-resolution black and white prints of planets and moons, the same ones you’ve seen on the internet, evenly separated and precisely level. TESS mission experts were sitting at the table waiting for us to take our seats. As I sat down, I noticed some hardware on the table that we would soon be able to get our hands on.
- TESS Principal Investigator, George Ricker beginning the lecture.
- TESS experts waiting for us to take our seats before starting the lecture. (Photo/TomCross)
MIT’s George Ricker – TESS’ Principal Investigator promptly started his lecture about the details of the satellite and the mission. This would be my first MIT-level lecture and I was absolutely captivated because it was organized and explained logically. George is an excellent teacher, very articulate in his descriptions of everything and had the help of great animations on the screen.
You know that scene in Interstellar where the main characters stumble into ‘NASA’ and they’re given a lecture on the ‘anomaly’ that was discovered in our solar system? That’s the scene here, except this was reality – we are discovering distant planets around other Sun’s.

The scene from Interstellar that resembled the TESS lecture.
(Screencap credit : Nolan, C., Nolan, J., Thomas, E., Obst, L. R., McConaughey, M., Hathaway, A., Chastain, J., … Warner Home Video (Firm),. (2015). Interstellar.
There are a ton of impressive features of TESS that I can hardly pick a favorite to tell you about. It has four custom-made high-resolution cameras. The CCD’s (camera sensors) are the largest and most perfect sensors that have ever been developed for a spacecraft. The experts, luckily, had one extra sensor to pass around for us to get a hands-off, drool-worthy close-up look. If you know about full frame 35mm sensors – get a load of this one!
Next up was one of the extra lens-elements that are inside each of the four cameras. I keep a lens cloth in my pocket so once I received it I gave it a soft wipe-down and captured a few iPhone pictures of the different reflections in the lens coating. I’m still hoping for an answer about what this lens is coated with but I may never find out, though. But isn’t it intriguing?
- I’m holding in my hand a lens-element that is inside one of the 4 cameras on TESS. Notice the red color of the coating. (Photo/TomCross)
- The same side of the lens, tilted slightly produces a green color on the coating. (Photo/TomCross)
- Lens held from the side, you can see the serial number etched on the edge and the coating seems clear. (Photo/TomCross)
- The backside of the lens, has a red-yellow hue. (Photo/TomCross)
- Split Diagram of a single TESS camera. (Photo from TESS PDF File)
Perhaps my favorite part of the lecture was learning about how they’re getting this satellite into orbit. This is where orbital dynamics becomes a bit like mixed martial arts with Newton’s laws of motion.
TESS is launching aboard a SpaceX Falcon 9 with a very slim window of opportunity – about 1 minute per day because it has to be perfectly in sync with the orbit of our Moon. As George Ricker explained, “This is a type of orbit that is normally unstable. If you aren’t careful about the way you launch into this orbit, you’re almost guaranteed to hit the Moon within four years. So, there’s a delicate balance staying in this orbit and there’s been a lot of effort that has gone into figuring it out. If you actually manage to do this, it’s stable for decades!”
After transporting into space from Cape Canaveral, via a SpaceX Falcon 9 rocket, the satellite is going to orbit Earth three times, and during each of its closest approaches, the satellite’s hydrazine propulsion system is going to propel it faster, essentially pumping the orbit farther out until it reaches the distance of the Moon. They timed this approach perfectly so that TESS does a ‘lunar flyby’ that will swoop beneath the Moon and use its gravity to speed-up the spacecraft and change its inclination from an East to West orbit to a new North to South orbit the will travel above and below Earth and Moon.
The reason this orbit is so elegantly chosen is that there are 300-hours of unbroken observations for photography, almost non-existent Earth-Moon light pollution. The lens hoods, also, don’t have to deal with much light or toxic radiation levels that will often destroy electronics, thus being able to remain in this orbit for several decades without any help. Absolutely awesome.
So, let’s go see TESS in the clean room.

Bunny-suit selfie!
I was transported to a very tall building and put into a small group to get dressed into bunny-suits before entering the high-bay, Clean Room. They take ‘clean’ seriously. Before stepping into the dressing room, I was escorted to a shoe scrubbing machine that had large scrubby-wheels and a vacuum to capture the particles. Then, to another device that automatically put booties on my shoes.
As I walked into the clean room, there was a sticky doormat that grabbed any particles off my booties that I picked up on the way in. I was quickly fitted with a bunny suit “You look like a large, here you go,” said a facility employee while handing me a sealed bag with a clean suit inside. We were shown how to put the suit on. Then, we went over to the glove dispensary to be sized. I noticed that their gloves were incorrectly labeled S, M, and L, according to NASA lore. I asked the employees, “Do you know about the issue this caused with the condom sizes astronauts chose?” They did not. So I was able to teach the workers a fun-fact about astronauts.
See, astronauts have egos, all of them contain the ‘Right Stuff’ but not all of them wear the same sized condoms for their spacesuit urine bags. All astronauts chose ‘Large’, not wanting to hurt their egos. Sometimes their urine condoms leaked into their spacesuit so NASA came up with a brilliant plan: Change the names of the condoms from Small, Medium, and Large to Large, Huge, and Gigantic so that all astronauts chose their appropriate sizes. It worked! But, in this case, the gloves were not labeled this way. Of course, I asked for Large. The room burst into laughter.
An employee handed me an alcohol-soaked microfiber cloth and told me to wipe down my gear perfectly before going to the next cleaning-station. This was followed by a visit to an ‘Air Shower’. It’s literally what it sounds like. There’s a small rectangular-shaped room with nozzles on the ceiling and walls that eject high-powered air all over our body. Vents in the floor sucked particles through a filter. After this final cleanse, we were checked with a blacklight … ok, just kidding. After the air shower we were granted access to the room that TESS was located: NASA’s high-bay!
The room was absolutely drenched in disorienting orange sodium lighting – a nightmare to deal with for photography and white balance but TESS was in its own protected E.T. style clean area beneath bright fluorescent lights.
In the limited time available, we were able to interview satellite experts and take as many photos as we could while technicians worked on the satellite. I love hardware images, so I set up my tripod and used my Miops Mobile remote to photograph detailed close-ups of the intricate components.

Wide angle image of the high-bay, TESS inside its own clean-room. (Photo/TomCross)
I was politely warned to not take any photographs of the hardware surrounding the satellite and keep my lens pointed only at the satellite in order to not accidentally capture something I’m not supposed to. I was very respectful and got some incredible images of things you typically will never see unless you worked on it yourself.
The spacecraft itself is quite small, there’ll be plenty of room remaining in the Falcon 9 fairing.
- TESS work environment. (Photo/TomCross)
- An Engineering working on TESS. (Photo/TomCross)
- Closeup of Orbital ATK data stickers. (Photo/TomCross)
- I used Miops Mobile remote to get clear images with slow shutter speeds inside the Clean Room. (Photo/TomCross)
It’s not often I get to see a payload inside a NASA Clean Room. These are always incredible experiences.
Frequently, a mission’s importance is diminished by the fact that we’re unable to see what’s going to space and what its purpose is, mainly weather and communications satellites. They often have state-of-the-art technology on board, which is likely the reason why they want to keep it under wraps. I’m really looking forward to photographing this launch in April now that I have actually seen the payload in person.
After my time was up photographing TESS, I changed out of the bunny-suit and was brought back to the Accreditation Office. I wasted no time getting on my way to see Falcon Heavy’s Side Booster that was temporarily on display at Kennedy Space Center Visitor’s Center.

A beautiful sunset eclipsed by SpaceX’s equally beautiful flight-proven Falcon Heavy booster. (Tom Cross/Teslarati)
Have a good one,
Tom Cross
Elon Musk
Elon Musk’s answer to Christopher Nolan’s Odyssey got way more specific
Elon Musk escalated his monthslong feud with Christopher Nolan’s The Odyssey this week, pledging that his own AI video tool will produce a competing version before the year is out. Responding to a fan-made, AI-generated clip of the ancient epic, Musk wrote on X, “Before this year ends, Grok Imagine will make a full-length movie of The Odyssey that is historically accurate and true to the art of Homer.”
In June, Musk quoted an xAI-shared trailer built entirely with Grok Imagine Video 1.5, a two-minute-plus reimagining of The Odyssey styled after a 1970s classical Hollywood epic, and predicted “full movies by the end of the year,” as Teslarati reported at the time. That trailer, built from 36 consistent shots by a single creator, was Musk’s proof of concept. This week’s pledge turns that prediction into a specific commitment, tied directly to Homer’s text rather than a generic demo.
Before this year ends, Grok Imagine will make a full-length movie of The Odyssey that is historically accurate and true to the art of Homer https://t.co/bVHzUmY9WN
— Elon Musk (@elonmusk) July 22, 2026
When a fan separately proposed that Musk fund a live-action alternative, to “give Mel Gibson $100 million to film an Odyssey adaptation with painstakingly historically accurate ships, armour, weapons, and casting, with all dialogue taken straight from the original poem and delivered in Homeric Greek,” Musk replied with two words: “I’m down.”
The Grok Imagine pledge lands as the tool’s underlying infrastructure has changed hands. Grok is no longer a standalone product, it folded into SpaceXAI after SpaceX’s acquisition of xAI closed in February, meaning the compute behind any Odyssey production traces back to the same Colossus supercomputers now bundled into SpaceX’s pitch to investors. Musk has separately said SpaceX’s own engineering data is being fed into the next major Grok training run, a two trillion parameter model he’s called the “2T run.”
Whether Grok Imagine can sustain a feature length narrative, rather than a series of impressive individual shots, remains the open question.
Cybertruck
Tesla Mobile App gets a new feature that wrap fans are going to love
Tesla’s Summer Update removes the USB drive step from customizing your car’s digital wrap design.
Tesla’s latest 2026 Summer Update quietly closes out one of the more tedious steps in personalizing a Tesla’s digital appearance. Uploading a custom wrap design used to require a USB drive. Now it doesn’t.
The feature is listed in Tesla’s release notes as “Send Custom Wraps from Mobile App.” The company described it plainly: “Skip the USB drive and upload a custom wrap of your car from the mobile app. Instructions for creating a custom wrap here: github.com/teslamotors/custom-wraps.”
The digital wrap tool has been around since Tesla’s 2024 Holiday Update, when it launched for Cybertruck owners first, as Teslarati reported at the time. Getting a design onto the car meant formatting a USB drive, creating a folder named exactly “Wraps,” dropping in PNG files sized between 512×512 and 1024×1024 pixels and under 1 MB each, then plugging the drive in and applying the wrap through Toybox. Tesla expanded the tool to other models and renamed it from “Colorizer” to “Paint Shop” with the 2025 Holiday Update, while also adding license plate and window tint customization alongside the wraps.
Custom wraps via mobile app https://t.co/5OydZ26g9p pic.twitter.com/uexU0ZePxu
— Tesla (@Tesla) July 22, 2026
The latest Summer Update removes the USB step from that process. Owners will be able to pull a design from wherever they saved it, whether that’s a download from social media or something built from Tesla’s own GitHub templates, and push it to the car directly through the app.
Tesla reveals 2026 Summer Update with crazy fixes to Nav and more
It’s a small fix relative to the rest of this latest release, which also included expanded Grok voice commands, automatic navigation that learns regular routes, and self-driving stats inside the mobile app, all detailed in our rundown of the full Summer Update. The USB requirement was one of the more common complaints about Paint Shop since it launched. Tesla did not say when the wrap upload change would reach individual vehicles, only that the broader update is rolling out now in waves.
Elon Musk
Tesla Diner is throwing a birthday party with a Franz-signed special treat
Tesla Diner turns one on July 21 with Optimus, roller skates, and a Franz-signed hat.
Tesla is throwing its Hollywood Diner a first birthday party on July 21 and the celebration comes with a guest list of unique items, including a limited run of Tesla Diner birthday hats personally signed by Tesla Chief Designer Franz von Holzhausen for the first 50 customers who place an in-car order at midnight.
One year after lines wrapped around the block on Santa Monica Boulevard for a diner that most of the restaurant industry did not take seriously, Tesla is making the case that the concept was worth the years it took to build. The concept had been in Musk’s head since at least 2018, when he floated the idea of “an old school drive-in, roller skates and rock restaurant” on X, describing it years later as “‘Grease’ meets ‘The Jetsons’ with Supercharging.”
Tesla Optimus Gen 3 is coming to the Tesla Diner with new ambitions
What made the diner genuinely different from any restaurant that came before it was not the menu or the nostalgia. It was the ordering model. Tesla owners could place food orders directly from their vehicle’s touchscreen before arriving, a small feature that hints at something much larger on the horizon. As the Cybercab and unsupervised FSD expand across major cities, the diner model becomes a template for an entirely new kind of commerce. A robotaxi pulling in to charge does not need a human to walk up to a counter. The vehicle places the order, the food is ready on arrival, and the passenger never interrupts the experience of being driven somewhere else. It is the first glimpse of what drive-through commerce looks like when the car is doing the driving.
As Teslarati has reported, Musk signaled immediately after opening that the Hollywood location was only the beginning, posting that Tesla would expand the concept to major cities worldwide and along Supercharger corridors on long-distance routes if the first location proved successful. One year in, the birthday celebration on July 21 makes a strong case that it has. Tesla announced a full day of events including a Cybercab on display, a birthday menu, Optimus in attendance, face painting, a photo booth, roller skating servers, a light show, a Skypad DJ, and complimentary collectibles.
If Musk’s ambition holds, the Hollywood diner is year one of something much bigger. The birthday party is the proof of concept. The robotaxi fleet is the business model waiting behind it.
Tesla Diner is turning 1 on July 21st, so we’re throwing a party
Come swing by for a day full of fun:
– Cybercab on display
– Birthday menu
– @Tesla_Optimus
– Face painting for kids & adults
– Photo booth
– Servers on roller skates delivering your order
– Light show
– Skypad DJ… pic.twitter.com/TD8pOjihYs— Tesla North America (@tesla_na) July 18, 2026


















